Not all the stations even broadcast pop or rock music – several were so-called ‘sweet’ music stations and one broadcast a magazine programme, rather akin to the BBC’s Woman’s Hour.. The use of a medium wave transmitter contributes to the spectacular development of the CLR’s radio business. The satellite and short-wave service is dissolved after exactly one year, at midnight on 30 December 1992. Powerful long-wave transmitters go into service at the Beidweiler site. François Anen becomes technical head of the new company. Major General W. H Grey chairs the company, which has its headquarters at 154 Strand, London. On 27 May, the Société Luxembourgeoise d’Études Radiophoniques (SLER), led by the French Compagnie des Compteurs, is officialised. The most famous member of the club – who Jimmy went to meet on behalf of the Club – was Elvis Presley. The main shareholders are CSF, Agence Havas (both already associated in Radio Paris), I&P, Banque de Paris et des Pays-Bas, Compagnie des Compteurs, and the Banque Industrielle Belge. He joined the BBC in July 1927 and launched the innovation of playing records on air. Disc jockeys had been pop picking for Caroline since 1964 and had used the good ship Mi Amigo as their floating studio since 1972. He came back to England and worked as a DJ in a Northern disco for five nights a week, buying himself out of the Air Force in 1966 to take a job with one of the pirate stations. My favourite shows were Peter Aldersley's and Jim Dale's. Nostalgia Central is an enormous scrapbook providing a trip from the Rockin 50s via the Swinging 60s, the Mirror-balled 70s and Day-Glo 80s to the Grunge-filled 90s. This affects Radio Luxembourg as a number of its sponsored programmes move to ITV. On the day of the Nazi invasion, Radio Luxembourg installations are among the first objectives of the Wehrmacht in the Grand Duchy. Named Blue Star Radio, it is represented by the Luxembourgish sports journalist, Alphonse Steinès, and has the financial support of the Banque française et hollando-américaine. In the days before UK pirate radio in the mid 1960s, the only way to hear broadcasts of pop music was to listen to the evening programmes starting at 7pm from Radio Luxembourg on 208 metres medium wave. Arguably the earliest commercial radio station broadcasting in the English language, Radio Luxembourg started broadcasting to the entertainment-starved listeners of the United Kingdom. Although it peaked throughout the 1960s and again during the 1980s/1990s, it remains in existence today. The PWD was an Anglo-American organisation that used radio broadcasting to undermine German soldiers’ morale. The same year, François Anen accepts the outgoing 3kW transmitter from Radio Toulouse, for use in Luxembourg. Arguably the earliest commercial radio station broadcasting in the English language, Radio Luxembourg started broadcasting to the entertainment-starved listeners of the United Kingdom. CLR (Compagnie Luxembourgeoise de Radiodiffusion) is born. Radio Luxembourg. Owners of such radio stations, like Radio Paris and Radio Toulouse, start looking for new opportunities outside France. The station broadcasts from Trim in the Republic of Ireland. From its long-wave outset in 1933 to its its final shutdown in 1992, Radio Luxembourg was not only the biggest commercial radio station in Europe, it had a formative influence on generations of listeners. The Teen and Twenty Disc Club (TTDC) was part of Jimmy Savile’s Decca-sponsored Radio Luxembourg show. The station was unlicensed, but according to the San Andres Accords, the indigenous communities targeted by Radio Insurgente had the right to broadcast their own content. The Marine Broadcasting Offences Act outlaws pirate offshore stations, although some unlicensed radio stations continue broadcasting. The law states that any radio station has to be authorised by the head of the Postes et Télégraphes administration. Radio Caroline was an idea thought by Ronan O’Rahilly, With financial backing, O’Rahilly transformed a passenger ferry into a pirate radio … Offices are leased at 34 & 36 Davies Street, and at 25 Brooks Mews, London. Bitrate. Pirate radio, unlicensed radio broadcast intended for general public reception. Listen Live to the RTL Radio music radio station streaming free online from Luxembourg. It authorises the existing private commercial radio stations only until 1 January 1933 – by this date they will come under the guardianship of the State. On the eve of war, the Luxembourg government, concerned about maintaining Luxembourg’s neutrality, asks CLR to stop broadcasting – a decision already considered by the company’s management. In October RTL Group sells its 80% share in Atlantic 252 to Teamtalk. Radio Luxembourg was a welcome change from the BBC until the pirate stations brought a breath of fresh air. Nevertheless Radio Luxembourg was originally founded as a peripheral radio station aimed at serving French listeners (peripheral as in “broadcasting from another country”). The transmitter’s power is boosted to 250W. The Association Radio Luxembourg is granted a subsidy by the Luxembourgish State to install a new antenna. Until the advent of pirate radio in 1964, the evenings-only English-language broadcasts from Radio Luxembourg—208 on the dial and transmitted from the grand duchy—represented the only pop music radio regularly available to British fans. By age 6, the engineers there helped me set up a small AM “pirate” station using the telephone lines as an antenna. Concerns are raised especially by the BBC and the British Post Office concerning the power of the transmitter that enables Radio Luxembourg to be broadcast throughout Britain, undermining the BBC’s monopoly. There was little television nor radio – Irish radio at the time consisted solely of the semi-state broadcaster RTE (Radio Teleifis Eireann) and the only music stations I can remember are BBC Radio 1 or Radio Luxembourg. Radio Luxembourg transfers its English programme to medium wave 208. This is regarded as illegal by the International Broadcasting Union who has however no coercive power. The important broadcasting systems in all parts of the world are analyzed and their origins, development, and present operations are explained in this book. In April 1924, the Anen brothers take the step from amateur radio to broadcasting, sending out a regular programme from Luxembourg, playing mainly music records. TV activities remain in the now legendary Villa Louvigny. In January the CNRL is ordered by the Luxembourgish authorities to stop broadcasting Radio Luxembourg. Pirate radio brought a new music to the mainstream. It was better than Radio Luxembourg, which only played records in … ‘Two-O-eight’ becomes a new reference for young Britons. He left the BBC on 29 September … CLR’s new medium wave transmitter in Junglinster is inaugurated. Radio Luxembourg could only be heard at night in Britain. The international and multilingual programme of Radio Luxembourg is a huge success in Germany, Great Britain, France and Belgium, and astonishes CLR’s competitors. ‘The Station of the Stars‘, the famous ‘Two-O-Eight‘, was the expression of freedom and liberty for a whole generation in Western as well as Eastern Europe, and therefore had a major impact on society, especially in the 1950s and 1960s. Part of the Villa Louvigny – once a 17th century fort located in the heart of Luxembourg City – is rented as headquarters for all radio activities except transmission. Less than three weeks later, on 21 September, operations are closed down. XRadio Luxembourg was in the 60's facing strong competition from the Pirate radio stations that broadcast from ships or marine forts out at sea, and this was the main reason behind the many experiments and upratings of transmitter power to improve the station's reception quality over England. John N. Catlett becomes General Manager of the station. To counter the popularity of these illegal broadcasters and the ongoing success of Radio Luxembourg, the BBC is restructured, establishing Radio 1, Radio 2, Radio 3 and Radio 4. Michigan Association of Broadcasters. The English-language service of Radio Luxembourg began in 1933 and was one of the earliest commercial radio stations broadcasting popular music to Britain. This entertaining and informative show, produced, written and narrated by Bill Rollins for Internet radio station Atlantic Oldies 2NG, traces how U.K. music radio evolved starting with Radio Normandy and Radio Luxembourg in the 1930’s and focuses on the offshore pirate stations of the 1960’s. These pirate stations, broadcasting mainly rock and pop music, are major competitors to Radio Luxembourg. “Every radio station has a team”, explains Tony, “But how many have teams who are thrown together in circumstances where their only friends are their colleagues, where they work and play together 24/7”? Because commercial broadcasting was prohibited at the time in the UK, sponsored programmes in English were broadcast from the continent (Radio Normandy, Radio Lyons, Radio Toulouse, Poste Parisien, Radio Paris). For 3 years, until 1967, the DJs on the Radio Caroline pirate ship broadcast their music and shows 24 hours a day and sold advertising space to make money. 128. Therefore, as far as the British authorities were concerned, Radio Luxembourg was a "pirate radio station" and British listeners to the station were breaking the law (although as the term 'unauthorised' was never properly defined it was somewhat of a legal grey area). All it took was a gutsy Irishman, a murder acquittal and a few rock ‘n’ roll hits. What better alternative than the most modern and powerful transmitter in Europe? Radio Luxembourg Advertising Ltd is taken over by CLR London Ltd. (19 September 1882 – 22 May 1965) Christopher Stone is considered to be Britain’s first disc jockey (DJ). On 1 September, Atlantic 252, an English-language radio station, is launched in Ireland by Radio Tara as a joint venture between the Irish state broadcaster RTÉ and CLT. The Anen brothers create the Association Radio Luxembourg to run the station. The success of Radio Luxembourg grows day by day. The ‘new’ Villa Louvigny is inaugurated in Luxembourg City. This sensational move is considered an act of lèse-majesté by the prim BBC, who consequently blacklists him as well as other British artists who work with Radio Luxembourg. Tony believes the magic of the station was similar to that of the pirate ships where his own radio career began. As Radio Paris was to become a state-run national station, an alternative had to be found for broadcasting English programmes. War time. The management of CLR enters into a new era of broadcasting: television. The headquarters of the CLR is established at 53, avenue Monterey in Luxembourg City. The Office of War Information begins to use the station in July, handing over the installations to the CLR on 11 November. An orchestra is founded under the direction of Henri Pensis. Radio Luxembourg begins broadcasting again in November 1945. Having moved from transmitting from ships in the sea to towerblocks across UK towns and cities, in 2009 the UK broadcasting regulator Ofcom estimated more than 150 pirate radio stations … Often mistakenly referred to as a ‘Pirate’ radio station, Radio Luxembourg offered an English speaking commercial service for more than 60 years and shaped the radio landscape for future commercial broadcasting in the UK. From May 1938 to September 1939 a De Havilland Dragon airplane christened ‘The Luxembourg Listener’ (Olley Air Service) makes a twice weekly return trip from Croydon to Esch-sur-Alzette carrying taped programmes, records and passengers. A French–Luxembourgish study syndicate is created, with the aim of installing a powerful radio station in Luxembourg. CLT SA acquires the office building at 74 Newman Street. It … The full Radio Luxembourg story can be read on the website: radioluxembourg.co.uk. The Marine Broadcasting Offences Act outlaws pirate offshore stations, although some unlicensed radio stations continue broadcasting. The BBC tries to persuade leading British newspapers not to publish the Radio Luxembourg schedules. Stephen Williams returns to Radio Luxembourg on 7 January as Director of English programmes. After an agreement between the Luxembourgish Government in exile and the United States, the transmitter, which has been damaged by the German army, is made available to the Psychological Warfare Division (PWD) of SHAEF (Supreme Headquarters Allied Expeditionary Forces). Following the ongoing success of Radio Luxembourg, CLR buys the Villa Louvigny and extends the premises. The magazine Fabulous 208 is born. Regular programmes cease on 2 September, and broadcasting is limited to official government communiques and music. Possibly recorded at Advision Studios sometime around the late sixties, these are five Radio Luxembourg jingles. The CNRL – in which the Anen station has been integrated, and which was given the frequency of 223m by the Prague Plan in January – starts building a transmitter site in Cessange (Kohlenberg) and begins broadcasting under the name Radio Luxembourg. On 1 January 1933 Stephen Williams, Directeur-Général of Radio-Publicity, a British company chaired by Frenchman Jacques Gonat, which holds the concession for English programmes at Radio Paris, begins presenting sponsored broadcasts from the French capital.
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